The singularity of María Pagés resides, precisely, in her creative polyhedral personality. Through her managerial leadership and her choreographies, she has overcome the difficulties that tradition could pose. Keeping with the latter a lively and continuous dialogue.
Thanks to this dialogue, the choreographer has always been able to transcend cultural differences, integrating them in their language as sap and new life. She has always done it without losing her origins.
She is also convinced that dialogue in artistic languages favors a better understanding of the organic truth of flamenco art and life. Her dynamic and restless relation with tradition leads her to serenely integrate the specificities of an I who walks without fear in the midst of the diversity of the Other.
For this Sevillian artiste -a natural iconoclast in her life and her creations- María Pagés works with modernity as a memoritic space in movement and the dynamics of our languages and ideas. Her creative and aesthetic contribution resides in her serenity, her ability to converse without complex in other languages, opening the door to the acceptance of Flamenco’s mythical hospitality.
She has made Dance and Flamenco her poetic homeland
In life, as in her creativity, modernity is tradition in movements and the dynamics of our languages and ideas. Her creative and aesthetic contribution resides in her serenity, her ability to converse without complex in other languages, opening the door to the acceptance of Flamenco’s mythical hospitality.
Making use of the fundamental codes of the Flamenco language and doing research within herself and without, Pagés has proved to be a pioneer in the understanding of Flamenco as an art in evolution, contemporary and alive.
Her choreographies have overcome cultural differences, convinced, as she is, that the dialogue between different artistic languages can only favor a better comprehension of the organic truths that are to be found in art and life.